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Acting for Singers 101

The Truth Behind What Our Body is Saying – The Limbic Response

September 27, 2019 by drmarcreynolds Leave a Comment

Let’s dive a little deeper into the idea of giving ourself permission to act on the impulse. An impulse is defined as

impulse
noun
im·​pulse | \ ˈim-ˌpəls 


1a: INSPIRATION, MOTIVATIONb: a force so communicated as to produce motion suddenlyc: INCENTIVE
2a: the act of driving onward with sudden force : IMPULSIONb: motion produced by such an impulsion : IMPETUSc: a wave of excitation transmitted through tissues and especially nerve fibers and muscles that results in physiological activity or inhibition— see NERVE IMPULSE
3a: a sudden spontaneous inclination or incitement to some usually unpremeditated actionb: a propensity or natural tendency usually other than rational

https://www.merriam-webster.com/dictionary/impulse

What makes the difference between a believable action and an action that reads a false or contrived on stage is the ability of an actress or actor creating the illusion of it being an authentic impulse or reaction to external or internal stimuli. The trouble is the most authentic and believable aspect of body language is the gestures that come without conscious thought. It happens faster than conscious thought. It starts faster than we can control it. We can shut it down and change it once we identify it but usually, the damage is already done with whomever we are communicating with. They can sense the deception because they saw you shut down a limbic response. This is why you will hear political commentators talking about “micro-gestures” concerning whether or not a candidate in a debate is telling the truth or not. The brain and especially the subconscious part of our brain is extremely sensitive to seeing gestures that come from the limbic response.

[Read more…] about The Truth Behind What Our Body is Saying – The Limbic Response

Filed Under: 101 Day 6, Acting 101 for Singers Exercises, Acting for Singers 101 Tagged With: Acting, Acting 101, Acting 101 for Singers, Acting Coach, body language, Context, creation, creativity, Dr. Marc, Dr. Marc Reynolds, education, Great Performance, how to, Imagination, Introduction, Limbic, Limbic response, Overview, performing, Professor, self-soothing, self-touch, Singing, Singing Performers, Stage Director, Start with the story, University, Voice Coach

Vulnerability

September 27, 2019 by drmarcreynolds Leave a Comment

Day 6 Topic 2

There is nothing more beautiful and captivating than a person who has chosen to be vulnerable. There is no greater honor than the trust given by someone choosing to be vulnerable with you. If I look at the type of moments in real life that I want to recreate for an audience on stage they usually are not moments of extreme action or spectacle. I love spectacle and action but what I think about for weeks afterward and can remember with clarity for years afterward are not the moments of spectacle and action but connection and shared vulnerability.

[Read more…] about Vulnerability

Filed Under: Acting 101 for Singers Exercises, Acting for Singers 101, Opera Workshop Tagged With: Acting, Acting 101, Acting 101 for Singers, Acting Coach, connecting with audience, connection, Context, creation, creativity, Dr. Marc, Dr. Marc Reynolds, education, Great Performance, how to, Imagination, Introduction, open, Overview, performing, Professor, Singing, Singing Performers, Stage Director, Start with the story, University, Voice Coach, vulnerability, vulnerable

Video Examples Breaking Down the use of LNOS and MMC

September 20, 2019 by drmarcreynolds 1 Comment

Now that you understand the patterns you are looking for, go back through these videos and notice the difference between when they follow the pattern and when they don’t and how that changes how believable and engaging the scene is.

I will give you some hints of things you might notice or try to look for or listen to but each of these videos could be discussed as a lesson in itself.

[Read more…] about Video Examples Breaking Down the use of LNOS and MMC

Filed Under: 101 Day 5, Acting 101 for Singers Exercises, Acting for Singers 101, Opera Workshop Tagged With: Acting, Acting 101, Acting 101 for Singers, Acting Coach, blockbuster movies, Cinematography, Context, creation, creativity, Day 5, Dr. Marc, Dr. Marc Reynolds, education, Great Performance, how to, Imagination, Introduction, Live performance, live theater, moviemakers, Overview, Part 5, performing, Professor, Singing, Singing Performers, Stage Director, Start with the story, University, Voice Coach

LNOS The Formula for Making Music and Acting Work Naturalistically

September 20, 2019 by drmarcreynolds 1 Comment

Last Note or Syllable

The Formula

When it is your character’s music your eyes should begin to shift on the last note or syllable of every phrase of music you sing or that is played.

[Read more…] about LNOS The Formula for Making Music and Acting Work Naturalistically

Filed Under: 101 Day 5, Acting 101 for Singers Exercises, Acting for Singers 101, Opera Workshop Tagged With: Acting, Acting 101, Acting 101 for Singers, Acting Coach, blockbuster movies, Cinematography, Context, creation, creativity, Day 5, Dr. Marc, Dr. Marc Reynolds, education, Great Performance, how to, Imagination, Introduction, Live performance, live theater, moviemakers, Overview, Part 5, performing, Professor, Singing, Singing Performers, Stage Director, Start with the story, University, Voice Coach

One “Eye-dea” Per Phrase – No More and No Less

September 20, 2019 by drmarcreynolds 1 Comment

One “eye-dea” per phrase is a way to help you remember that we show that we are having a new idea by shifting our eyes. It is also to remind you that just like we have one music phrase per text phrase we should have one body language phrase per phrase.

This means that if we shift the direction of our eyes more than once in a phrase, or don’t shift our eyes to start to show what we are talking about next then the body language, music, and text will no longer be communicating the same thing. Consequently, the audience will subconsciously identify that something is off and disconnect from the performance.

[Read more…] about One “Eye-dea” Per Phrase – No More and No Less

Filed Under: 101 Day 5, Acting 101 for Singers Exercises, Acting for Singers 101, Opera Workshop Tagged With: Acting, Acting 101, Acting 101 for Singers, Acting Coach, blockbuster movies, Cinematography, Context, creation, creativity, Day 5, Dr. Marc, Dr. Marc Reynolds, education, eye-dea, Great Performance, how to, Imagination, Introduction, Live performance, live theater, moviemakers, one eye-dea per phrase, one idea per phrase, Overview, Part 5, performing, Professor, Singing, Singing Performers, Stage Director, Start with the story, University, Voice Coach

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