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Assignment: Who Am I Paper 2.0

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Purpose (why we’re doing this):
This assignment builds a single, living document that connects who you are (1.0 foundations) with what you do onstage and why (2.0 motives → actions → music). You’ll complete it twice: once for YOU and once for YOUR CHARACTER. The goal is honest, repeatable choices the audience can see—rooted in clear motives, body signals, and the score.


What you will learn (outcomes)


What to submit (two versions)

You will submit two complete packets using the provided PDFs (or the copy/paste template):

  1. YOU — your personal 1.0 + 2.0
  2. YOUR CHARACTER — the role you’re preparing

Recommended length: 2–5 pages per person (tight prose, bullet points welcome).


Structure (follow this order in one file per person)

PART I — Who Am I 1.0 (Foundations)

  1. Quick Identity (bullet points): name, basics (height, hometown), current location, roles (student/coach/etc.).
  2. Laundry List → Categories: rapid-fire list (superficial → core), then group into categories (e.g., License info / Relationships / Likes / Dislikes / Social traits / Hopes / Fears / Work-Play).
  3. MBTI-style notes (quotes allowed): copy 1–3 phrases that feel true and list 1–3 behaviors these suggest onstage (not labels).
  4. Core Drives & Core Fears (initial): list what seems strongest right now.
  5. Three Defining Moments: for each—what happened → what changed → how it colors actions now.

PART II — Who Am I 2.0 (Motives, Body, Actions, Music)

  1. One-sentence now-summary: “Right now, I’m someone who ___ because ___.”
  2. Body-map (Energy/Tension/Warmth/Drop): three zones you commonly feel; for each add one real-life example and a matching stage verb.
  3. Top drives (1–2) & behaviors: how each drive shows up physically/behaviorally.
  4. Top fears (1–2) & behaviors: the micro-actions that follow when triggered (fight/flight/freeze/fawn).
  5. Love-language snapshot (seek/offer + scene beat): use as a behavior menu, not a diagnosis.
  6. Personality triangulation (notes, not labels): pull 2–3 behaviors from MBTI-style, Enneagram, and Big Five/HEXACO you will test on camera.
  7. Three defining moments — updated lens: add one verb or body cue each moment gives you now.
  8. Action library (10 verbs): e.g., shield, charm, expose, bargain, claim, soothe, corner, release, assess, rally.
  9. Music alignment notes: one aria/song—where you align or counterpoint the score (cite bars) and your breath shape.

You already have ready-to-fill PDFs:

  • Template (1.0 + 2.0 combined)
  • Example A (Jordan, Mezzo) — combined
  • Example B (Despina) — combined

How to work (suggested flow)

  1. Draft Part I for YOU quickly (don’t overthink).
  2. Duplicate for YOUR CHARACTER and fill from the character’s POV.
  3. Build Part II from rehearsal realities: pick verbs, map body cues, connect to music.
  4. Film 30–60 seconds—keep what reads; update the document.
  5. After each rehearsal, add one line anywhere (this is a living document).

Formatting & naming


Grading (or self-assessment) rubric

Criterion1 – Needs Work3 – Solid5 – Stage-ready
Clarity of motivesVague/contradictoryMostly clear; some driftGoal & drive per beat are crystal clear
Verb specificityAbstract (e.g., “be sad”)Mostly concreteConcrete, varied, and playable
Body–music alignmentAccidental clashesMostly alignedAligns/counterpoints on purpose
Behavioral evidenceNotes onlySome behaviors testedBehaviors tested on camera; kept/discarded with reasons
Use of 1.0 + 2.0Parts missingBoth parts present1.0 informs 2.0; updates shown
ProfessionalismDisorganizedClear, readableClean, concise, easy to reference in rehearsal

Common pitfalls (and fixes)


Submission checklist (quick)

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